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EcosseEcosse è una azienda scozzese, guidata da Elliot Davis, che realizza cavi da 25 anni e, grazie ad un focus attento e serio sulla ricerca e sviluppo, ha per prima introdotto sul mercato alcune notevoli unicità che la rendono un produttore acclamato e ben conosciuto.
Ecosse is a specialist company engaged in the design and manufacture of low voltage signal analogue and digital interconnects, loudspeaker cables and mains A.C. Powerchords. The commitment of its principals, everyone committed music and hi-fi /audio-visual enthusiasts, is to provide the highest quality products at prices which reflect today's value for money zeitgeist. Monocrystal TechnologyClose working alliances, extensive research and testing (and re-testing), ever- evolving product design, effort and the love of music culminated in the introduction - in 1996 - of Ecosse' first success in the field-our sonically vastly superior, patented Monocrystal™ copper and silver conductor products. Since '96 our Monocrystal™ loudSpeaker and interconnect designs have swept the boards at countless award ceremonies and comparative magazine evaluation tests-and this is no idle boast, you just need to examine this website for confirmation. Our Monocrystal™ success heralded the introduction, a year later, of our ambitious ultra-high quality, (and now) multi-award winning low-cost Oxygen Free Copper products. Frankly, the unbelievable success of these cables, across the board, has confounded our cumbersome, highly expensive competitors - and surprised even us at times! Super MonocrystalNext we proudly introduced Super Monocrystal (SMS) - our pioneering commitment to the advancement of vastly-superior conductor technology. First in this exclusive range is the 2.4 loudSpeaker cable. We strive to keep things simple: appropriate high resolution interconnects are designed to be dedicated to their respective interfaces in the audio or video chain. 'Speaker' cables employ high quality 'low-loss' dielectrics in order to facilitate the long runs necessary in modern esoteric hi-fi and multi-room or home cinema systems. Speaker cables are also made available in a variety of sizes, since the size and type can influence the depth, clarity and timbre of sound. Our loudSpeaker and interconnect cables, and Mains A.C. PowerChords will transmit, with least deletion, all the information and excitement contained in the original recording. Why Ecosse?Ecosse People are Music People-first and always!In hi-fi terms Ecosse can genuinely lay claim to being the only hi-fi company in the world drawn from a team of Audio Professionals allied with successful individuals from the fields of recording, promoting/managing and playing music! From our extensive and growing range of cables, we have interconnects, loudSpeaker and powerchord cables to match with your hardware and with your aspirations. It should be noted that each cable is specifically designed for its application and its termination chosen to maximise its performance. We use the highest quality materials not only in our cables but also in our unique plug terminations. So whether your requirements are for two-channel or for multi-channel, audio or visual; and whether your hardware is of modest cost or obscene, we have a cable to satisfy your needs. How?...never before has cable conductor material of this purity and construction quality been available at these prices to the mainstream audio market-and with such quality terminations - our Monocrystal™ copper and silver RCA and XLR plugs are the best available price wise. Of course it helps that we have the FINEST 2-channel evaluation system OF ANY CABLE COMPANY ON THE PLANET! It lets us hear pretty much EVERYTHING that is going on! You can see it below.
Ecosse Cables are inexpensive by comparison. How?We don't go in for fancy brochures, schmoozing journalists or expense accounts. We don't spend fortunes on magazine adverts and we don't spend ridiculous amounts on packaging - it's a wrapper for goodness sake. Our money goes into the cables!
Here's a thought. Other cable manufactures and designers lay claim to 'prepare (you) to be amazed', or that their cables are 'derived from technology developed for the space industry or even that they 'changed the way people think about hi-fi cables'. But what do these people really know about the way 'music' (as opposed to 'hi-fi') sounds. You know, when they do their cable evaluations one presumes they set up their hi-fi systems as best they 'know' how, in order to test the 'accuracy' of their cables. But how do they know their music systems are accurate. What equipment are they using-is it 'sensitive' enough to the minutiae of sonic variances-will it resolve even the finest detail? Indeed, what experiences have they had in recording studios, or in the 'live' environment - how a cymbal, or a snare REALLY sounds when you hit it. The timbre of a vocal or the frequency range of a bass or electric/acoustic guitar; the sweep of a string, or the dynamics of an over strung piano. And while we're about it, the embouchure of Miles Davis on trumpet is about as good as it gets-but do these 'cable designers' have any idea what sound that truly makes. The fact is, the sound of a hi-fi system is totally subjective - you tune it to what you think the music should sound like. But unless you've had experience of working behind a mixing console in studios and at 'live' concerts, in the likes of Abbey Road and California's Ocean Way, unless you've performed on the biggest stages - like Wembley Arena and the SECC -unless you've broken bread with the likes of George Martin, U2, Elton John, Phil Collins, Lamont Dozier, Al Green, Brian May, Nile Rogers, Yoko Ono, Peter Gabriel, Sting, McCartney I could go on, but I think you get the picture… quite frankly unless you play an instrument and/or have recorded music, you're never going to even get close to understanding the way that music truly and accurately 'sounds'...
Sito web: http://www.ecossecables.co.uk/
Torna all'inizio 1. Separating Fact from FictionThere is a direct correlation between cable design and sound quality. You want detail, resolution, clear bass, image, height , 3 dimensionality . You want accuracy of musical timbre and ambience. How do you get this? The choices of conductor and dielectric are vital. Different metals and the structure of the conductor itself play a vital part in the speed and accuracy of the sound. The choice of dielectric (insulation) is also vital, since a bad choice can increase the capacitance and induction between the +/- wiring which affects the high and low and frequencies. Inductance varies between cables - very simply high inductance is bad for audio. Cables need to have low resistance and capacitance to least attenuate the signal flowing thru the cable. Attenuation is a measure of the signals energy lost as it flows down the cable. That energy loss is reduced by having the conductors covered in a quality dielectric. All Ecosse Cables are very deliberately low resistance low capacitance hence low attenuation. In fact three things go into making a good cable - the conductor material the construction of the cable and the termination quality. Even then there's no guarantee the musicality of the cable is up to scratch. That requires careful evaluation with a 'golden' pair of ears. Ears trained in music not HiFi. TERMINATIONSThe terminations at the ends of cables are part of the transmission path and therefore vital to it. They must not impede the signal and this can be if particular significance in digital signals. Poor terminations on a digital cable change the so called characteristic impudence of the cable - so for example where a digital signal is set by the industry at 75ohms, change that and you change the sound. If a cable is inappropriately terminated you will compress the signal and change that characteristic impudence along with the other electrical attributes of the cable. Solution: at Ecosse we offer our unique gold and deep silver played non-compressing copper MACH1 RCA plugs on our premier/premier+ analogue, digital and video interconnects, and Monocrystal MACH2 and 3 RCA plugs in our more expensive audiophile/reference grade cables. Our RCAs don't compress the signal and at the same time they reject noise by the use of a faraday cage type mechanism. So why are connectors often the least thought of part of a cable. Go ask our competitors many of whom seem to forget they will be connecting a terminated cable to another connector in this case a socket and there needs to be optimum contact between the two without inducing capacitor or resistor characteristics. NBTerminations become oxidized over time and the connection can become 'bad' to the point where clearly audible distortion occurs. To reduce this concern Ecosse uses gold or deep silver plating on our COPPER ( not brass) plug terminations. Many of our competitors do not take this care and attention in their terminations-they still use tin/leaded solder and run the risk of galvanic corrosion.
THE EVALUATIONExtensive listening tests on the very best HiFi system in use by any cable company in the UK. Evaluations carried out by music people as opposed to HiFi hobbyist who have no experience of making producing or mixing music. Elliot Davis is the MD of Ecosse. He's owned recording studios and produced multimillion selling singles and albums including no1 hit singles. He knows what music actually sounds like having worked in some of the best studios in the world. He knows how to get a vocal sounding right, how to get drums sounding good, guitars keyboards string orchestras horn sections. That's why Ecosse insist that their cables are less fatiguing that their competition. Ecosse don't embellish the sound they're deliberately neutral But remembers no cable is perfect All cables delete musical information, Ecosse cables delete less information at similar price point to those cables of our competitors ...again, they just let the music through.
2. Choosing the correct cableHi-FiCable synergy-that's our byword! A quick glance at our synergy table tells you all you need to know about which cables best synergise with the one you own/are considering. Ecosse Reference Cables are designed to provide a family of sound and a straightforward interconnect upgrade path. With each interconnect upgrade unwanted 'noise' is reduced by progressively improved shielding which together with better quality termination ensures you will experience an ever - more accurate musical delivery. Our coaxial designed interconnects: both analogue audio and digital interconnects, have garnered a clutch of industry-led awards and 5-star reviews. This has allowed us to spend more (R&D) effort in designing 'balanced' audio interconnects - the higher spec cable preferred by discerning audiophiles. Our extensive research has resulted in the release of high quality/low low price (compared to our over priced over hyped and over here competitors) silver-plated or Monocrystal™ Silver balanced interconnects (since silver has a 10% gain in conductance compared to copper, a copper wire plated with silver will have less signal loss especially at longer lengths) these balanced/symmetrical cables all function magnificently well between CD/DVD and Amp or Processor. However, their balanced symmetrical configuration also assures audiophile quality interface between pre and power amps or as turntable leads. These symmetrical audio interconnects employ triple shielding, to offer the ultimate protection from spurious H.F. penetration 'The Legend' Interconnect improves even further upon this - offering four levels of interference-reducing screening. AudiovisualFor the provision of incredibly inexpensive, but very high quality solution to the transmission of audio/digital/video signals Ecosse has researched and developed a cunningly unique range of cables. Here, our multi-award wining, universally acclaimed Monocrystal™ conductor is employed for the important 'going' conductor only (to keep the cost manageable) with OFC for the 'return' conductor. 'The Composer' Audio Interconnect works on this principle as does our S-Video interconnect, and our dedicated digital interconnect - 'The Producer'. For SPDIF digital connection use 'The Producer' or 'Executive' but for true audiophile quality you must audition 'The Director' or better still the TRULY ASTONISHING 'The Soundman Digital Interconnect. A marvellous world beater, that trounces the competition.
3. Factors Determining Cable QualityHi-FiCables, being the longest part of a system, act as efficient antennas, picking up or radiating electrical noise. A cable's ability to minimise unwanted noise and to accurately transfer the frequencies inherent in the audio spectrum - 20Hz-20Khz+ - impact on the performance of your system. Truly then, cables are a vital component in today's modern audio and visual systems and it is imperative that they are given the utmost consideration. The quality of loudSpeaker, powerchord and interconnect cable is determined by the following:
The quality and purity of conductor material provide significant improvement in performance, enhanced resolution, clear bass, image height, depth and width. Ecosse is unique in offering vastly superior SuperMonocrystal™ and Monocrystal™ copper (and silver) products and multi-award winning Ultra High Purity Oxygen Free Copper. The selection of insulation material and construction methods influences the accuracy of musical timbre and ambience. Our interconnects and powerchords employ only the finest insulation materials of either low-density foamed Polyethylene or Teflon (PTFE). Ecosse cables are all double and sometimes triple shielded. For loudSpeaker cable we use only twisted pairs of multi-stranded or solidcore conductors sheathed in polypropylene as these two types most effectively reduce electrostatic capacitance, proximity effect (where the two conductors attract resulting in a greater resistance to the signal) and facilitates noise rejection (RFI).
4. Monocrystal™ and UHP-OFC - about our award-winning conductor materialsMONOCRYSTAL- our pride and joyBringing Monocrystal™ pure copper within the reach of most audiophiles is Ecosse's lasting legacy to the audio industry. For the first time (in decades) sensible/real world prices can obtain this sonically vastly superior conductor material: material which ensures, uniquely, an almost complete lack of 'grain-boundaries' in the signal transmission direction - impurities which would normally impede the delicate audio signals and result in attenuation and distortion. Here, a patented casting process (extrusion and annealing) is employed to produce a 'mono' or single crystal ultra-pure wire with significant advantages over other cables currently available. These other cables use ordinary copper or silver, which, no matter how few grains the manufacturer claims, have a grain barrier of oxygen and hydrogen. There are 9 perfect characteristics of this, by now, Monocrystal™ copper: Unidirectional, Free of Impurity, Flexibility, Fatigue-Resistance, Corrosive-Resistance, Low Electric Resistance, Non-crystal Boundaries, Rapid Transmissibility, Perfect in Structure. The Main technical parameters of Monocrystal™:
SUPERMONOCRYSTAL™Ecosse proudly introduced the first real advance in copper wire casting and processing since the advent of single-crystal conductor material, with the world's ONLY Super-Monocrystal™ Cables - you might say we have taken the single-crystal process to the Nth (sic) degree! Here, the multistrand cable on offer is SMS2.4-of rope-lay construction where each conductor has 2 bundles of differing cross-sectional area - to further improve linearity and phase coherence. The dielectric we use is high-grade polypropylene and the conductors are wound together in a precise helix. The Super-Monocrystal™ Process (SMS): With continuous cast mono-crystal there are an absolute minimum of impurities in the grain boundary. Now, by heating and re-crystallising the metal, while absolutely maintaining its structure, and due to the physical stabilization of this ultra- pure material under stress-free conditions, we achieve an unsurpassed conductor of the delicate audio signal with quite exceptional linearity through the audio frequency band. N.B. Audiophiles please note that it is the purity of 'grain structure' (not to be confused with purity of copper or silver employed - often expressed as 99.99% or better - and merely signifying the purity of the copper ingot before smelting), which defines the major characteristics in the conductor's ability to transmit audiophile quality sound and video. For the record, Monocrystal™ is a minimum 5N's pure; SuperMonocrystal™ 7N! UHP-OFCNo metal is absolutely pure, and contamination, as well as the crystalline structure of copper, can have an often-dramatic effect on signal quality. Impurities within the copper, including oxygen, silver, iron, sulphur, antimony, aluminium and arsenic, coalesce at the grain surface, or boundary. This creates much higher impedance to the electron flow by essentially forcing the electrons to have to 'jump' those poorly conducting boundaries where grains touch. Reducing the impurity content and the number of grains per foot can make a wire a much more efficient conductor. Often our competitors use very impure 'tough pitch' copper, which has about 1500 crystals or grains in each foot. Current must cross these grain boundaries 1500 times in each foot of cable. OFC copper, which is about 99.999% pure, is still not perfect, but the higher purity reduces the number of grains per foot, and makes the sound audibly smoother. In Ecosse's further-refined OFC cables, the process of removing oxygen further removes much of these impurities. We have laid down a specification for a 'low-grain boundary' annealed oxygen free copper - so called because the molten copper is extruded and repeatedly drawn in an inert, oxygen-free environment, to greatly improve conductivity and reduce impurities. This we term Ultra Hi Purity Copper - of a magnitude of copper-purity surpassing that of our competitors. Our UHP-OFC is no less than 99.9997% pure! SHOCK: NOT ALL OFC IS THE SAME!Ecosse's OFC has but 40-parts per million grains versus normal Copper, which has about 235PPM grains. It is these grain boundaries which cause irritating distortions and have a deleterious effect on sound. This purification of our copper drastically reduces the formation of copper oxides substantially reducing the distortion caused by the grain boundaries. The sound of an UHP-OFC copper cable is smoother, cleaner, and more dynamic than the same design made with standard high purity copper.
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MACH1 & MACH2 |
The terminations at the end of interconnects, RCA BNC AND XLR, form a vital part of the transmission path. High-quality terminations are essential to a quality interconnect.
Ecosse are the only company in the worldoffering non-compressing copper RCA plugs on our inexpensive premier/premier+ analogue, digital and video interconnect, together with grain-free ultra-pure Monocrystal™ contact pinned plugs (RCA and XLR) in our more expensive audiophile/reference grade cables.
Shell/Shield |
No interconnect plug should grip a cable with a collet or grub screw action - as this type of plug (used by most-if not all-of our competitors) compresses the signal. Audiophiles should note that collet-action or grub screw plugs can sometimes compress the cable impedance as low as 25 Ohms, resulting in signal reflections, which can be disastrous-particularly for digital and video signals.
Furthermore, Ecosse uses superior gold or silver plating on our plug terminations. Many of our competitors do not take this care and attention to detail in their terminations-they use tin/leaded solder which run the risk of galvanic corrosion, becoming oxidized over time and the connection become 'bad' to the point where clearly audible distortion occurs.
We want a large surface contact between the interconnect's plug and the component's jack, and high contact pressure between them. Ecosse plug terminations are soldered to the conductor using Supersolder™, our zero-tin (tin is high in impurities which increase conductor resistance), ultra-high conductivity solder.
Supersolder™ is our ultra high purity lead-free 5% silver and tin alloy solid wire- used in conjunction with our unique, passive organic flux. Together these ensure a joint with ultra low chemical contaminants and very high strength.
To maintain the quality of the all-important interface between interconnect and component and compatibility between wire material and plug, Ecosse developed the MACH1 RCA plug(above). For use with our Premier and Premier+ Grade cables, this high quality RCA plug boasts the same design as our Audiophile-spec Mach2 RCA (above)and differs only in the material used for the construction of the signal centre pin and return contacts (shells* see below).
MACH1 BNC |
To maintain continuity and optimum conductivity, these contact points are made from OFC copper - same as the conductor wire itself-don't be fooled by inferior yet similar-looking impure brass plugs as used by some of our competitors, these are cheap and nasty!
In our RCA's, both centre pin and the return terminals (or "shells"* see below) are either direct gold or silver hard-plated OFC copper. (others use 'flash-gold' plating which is a very thin coating that wears away very quickly and soon looks tarnished - you have been warned!)
MACH1 |
The RCA plug casing is also of significance. It is precision machined from highest quality copper alloy and is deep-plated. This thick casing offers further shielding - effectively a second 'Faraday Cage' - and reduces the ingress and radiation of EMI, ESI and RFI 'noise' even further, to virtually zero.
The interface of shells* (see below) and casing is one of high mechanical impedance, dissipating energy and rendering microphonic effects negligible. The full assembly represents Ecosse's Premier Plus Grade RCA termination for smaller diameter cables and we believe the Ecosse MACH1 RCA to be the best available price wise, electrically, mechanically and aesthetically - anywhere!
Parts Name | Material | Plating | |
1 | Body | Brass | Cobalt Alloy |
2 | Shell | OFC | Gold or Silver |
3 | Centre Pin | OFC | Gold or Silver |
4 | Insulator | Vesicatory Polypropylene |
MACH2 |
The interface between the wire and the component is an important one, and a poor connection can result in mediocre sound. For this reason, we have developed RCA connectors using our patented Monocrystal™ (single crystal) high purity copper for the contact pins to provide the best transmission of detail in the signal. In addition, the tolerance of the plugs has been machined by computer controlled high precision lathes to quality standard ISO9000 and ISO9002.
MACH3 BNC |
This aerospace level of precision is not over-kill, since a "gas tight" connection lowers contact resistance and reduces the corrosion from air-borne contaminants, allowing better sound over long time periods. All joints are mechanically compressed before solder is applied to ensure a strong bond, which will endure a lot of movement without breaking.
The full assembly represents Ecosse's Audiophile Grade RCA termination for smaller diameter cables and we believe the Ecosse MACH2 RCA to be the best available in this price range, electrically, mechanically and aesthetically - anywhere!
Parts Name | Material | Plating | |
1 | Body | Brass | Cobalt Alloy |
2 | Shell | Monocrystal | Gold/Silver |
3 | Centre Pin | Monocrystal | Gold/Silver |
4 | Insulator | Vesicatory Polypropylene |
MACH3 |
Our most sophisticated RCA plug assembly -the awesome MACH3 frighteningly expensive constant-impedance (non-compressing) RCA plugs.
To maintain continuity and optimum conductivity, these contact points are made from copper - same as the conductor wire itself-don't be fooled by inferior yet similar-looking brass plugs as used by some of our competitors, these are cheap and nasty! Both centre pin and the return terminals (or "shells") are either direct gold or silver hard-plated. (others use 'flash-gold' plating which is a very thin coating that wears away very quickly and soon looks tarnished-you have been warned!)
Ecosse's ultimate Audiophile Reference Grade connectors use Monocrystal™ (single-crystal) ultra pure copper to provide the very best transmission of every detail in the delicate audio signal. The interface between the wire and the component - particularly in higher-end systems - is an important one, and a poor connection can result in compromised sound.
MACH3 XLR |
The terminations of a cable are critical. We keep a set of tools and solder station purely for Monocrystal™ to avoid cross-contamination. The wire and plug pins are deoxidised just prior to soldering; the solder is Pb-free and is a 95% Sn/5% Ag alloy with resin core and a pre-heat with the gun reduces the soldering time to avoid the wire heating up too much and recrystallization of the structure.
The XLR plugs are direct Cu-plated Monocrystal™ Cu the dielectric is polypropylene (less sonic signature than PTFE) and the body is non-ferrous. These factors reduce jitter (in a digital cable), signal-loss and reflections and play an important role in the transmission of maximum information. It is extremely unlikely that the other cables have been assembled taking these parameters into account. The roughness in the treble and information loss is symptoms of increased jitter, although many other factors in the analog domain can cause similar effects.
Shell/Shield |
Both the signal centre pin of these RCA connectors and return terminals (or 'shells'*) are of fastest-transmission-rate Monocrystal™ Copper. Their dielectric is low loss, low storage Polypropylene dielectric,
Here, the shield/shells (see above) grip the cable firmly but without compressing the cable, ensuring that the crucial characteristic impedance is maintained. A heavy, silver-plated brass body, with twin high tensile fixing screws, clamps this double-shielded assembly uniformly and without stress.
All joints are mechanically compressed before Supersolder™ is applied to ensure a strong, durable, ultra low impedance bond. The joint is then sealed with Polyurethane lacquer to protect the joint from degrading environmental contaminants.
The plug casing, itself comprising of 3 parts, is precision machined from highest quality copper alloy and is deep-plated with tarnish-resistant silver. This thick casing offers further shielding - effectively a second Faraday Cage - reduces the ingress and radiation of EMI, ESI and RFI 'noise' even further, to virtually zero.
The interface of shells* (see above) and casing is one of high mechanical impedance, dissipating energy and rendering microphonic effects negligible. The full assembly represents Ecosse's "state of the art" RCA termination for large diameter cables.
The Ecosse MACH3 Ultima RCA is the very best plug available electrically, mechanically and aesthetically - it's the best we've ever encountered!
The inner body of the plug consists of two symmetrical shells (figure 1-3). The ground connection sleeve is integral with these shells and is divided into four parts or ‘fingers’.
When the plug is inserted into the socket, the edges of the ground connection fingers are forced outward by the body of the socket, which in turn, results in the edges of two of the ground connection fingers being turned inwards (the fingers being designed to permit this rotation) and this forms 8 longitudinal, pressure wiping contacts along the outside of the socket as the plug is inserted. This means that the plug will always break any oxide film present on the socket when the plug is inserted, and the high contact pressure will help to prevent the oxide from re-forming, leading to a contact that is superior to that achieved by conventionally designed plugs.
The method of connecting the cable to the plug is by super heated lead free solder.
[1] As the inner body shells almost completely enclose the centre conductor, they offer a very effective screen against noise.
[2] As the length of the centre conductor between where it emerges from the end of the cable and where it joins the centre pin is very small, the variations in characteristic impedance within the plug are reduced, thereby improving the efficiency of this plug at radio frequencies. The efficiency of the plug is further improved in this respect by the use of foam polypropylene for the centre insulator, as this has a very low dielectric loss.
[3] The inner body shells are held firmly and securely together by the outer body in figure 1/3. The simple and sturdy design of this plug along with the use of high quality materials eliminates problems such as cable short circuits, cable disconnections, and deterioration of insulation with time - and enables it to withstand considerable physical abuse.
[4] The cable clamp in figure 1/3 puts even pressure all the way around the cable, eliminating the changes in characteristic impedance caused by screw clamps. The protuberances on the clamp fingers grip the cable securely preventing any movement cable once clamped.
[5] The method of connecting the cable to the plug is by super heated lead free solder.
The quality of any digital cable is ultimately defined by its conductor material, the dielectric used and the electrical properties it exhibits in terms of inductance, impedance, and rejection of the environment-eg EMI, RFI noise.
It is of fundamental importance for the transmission of high frequency and pulse signals such as those from a digital (or video source), that the transmitted signals match the characteristic impedance of the cable. The correct type of cable is an asymmetrical, or co-axial, typically of 75 Ohm impedance. If an alternative is used, then the signal will be reflected - 'jittered' - and the square wave signal form will be distorted, causing a roll off in high frequency information.
There are many ways that so -called 'jitter' can affect the final digital to analog conversion at the DAC; Jitter on the transmitted signal can bleed or feed through the input receiver, and affect the DAC.
Thankfully this really only affects sound of the signal going directly to a DAC. If you're running into a computer, the computer is effectively going to be reclocking everything. Same applies to CD-recorders, DAT tapes and similar devices. Even modern DACs have typically a small buffer and reclocking circuitry, so the jitter is not such a big problem nowadays.
Impedance mismatch can occur when a cable with internal impedance less than 75-ohm is connected to a true 75-ohm load, such as a quality A/V receiver or DVD player. In this situation, some of the frequencies that make up the signal will be reflected back to the source. Since the source is a 75-ohm unit, this reflected signal is sent directly back to it (A/V receiver or DVD player) creating a delay effect at certain frequencies. This delay, for example, can show up as a ghost in the picture. Multiple ghosts resulting from multiple frequency reflections can look like ringing around the original image. These reflections can also cause partial signal cancellations at various frequencies corresponding to a partial signal loss resulting in a loss of picture detail or color for video and constriction of particularly upper frequencies for audio (jitter).
Maintenance of the cable impedance from end to end is an imperative in video signals. At Ecosse our RCA or BNC connectors maintain the electrical integrity of the cable-which, as stated above, is rated at 75ohms. With each succeeding cable in our range you will notice that the quality of the plug improves so that in our 'Executive Digital' cable we use our superlative constant impedance MACH1 RCA terminations.
For the Audiophile 'Director' and 'Soundman' Cables these plugs are further upgraded to the beyond-the -competition Monocrystal™ MACH2 and MACH3 phono plugs and Of course BNC plugs by their very nature are designed to be rated at 75ohms so you can be certain that all Ecosse BNC terminations adhere to this specific design principle.
Beware: There is a new cable hitting the market that doesn't use conventional RCA connectors. It actually has a 'Bullet Connector' derived for audio cables. Based on the RCA connector's geometry its design cannot produce anything close to a 75-Ohm termination and therefore, can cause impedance mismatching resulting in reflections and signal.
There is a specific relation between the diameter of the conductor used and the diameter of its surrounding dielectric that must be maintained to ensure a true 75-ohm cable- and thus delivery of lifelike digital signals used in high-end/audiovisual system. The equation is also dependent on the dielectric characteristics of the material. The best dielectric is air (not practical) followed by Teflon and/or Foamed Polyethylene (nitrogen, air…), Polyethylene, Polypropylene, Nylon and least of all PVC- a material NEVER used by Ecosse as a dielectric.
Impedance is a measure of the ability of an AC network to impede the flow of charge or current through a network. A high cable inductance causes loss of signal strength towards the high end of the audible range (also known as roll-off). It also causes frequency dependent phase-shifting which disturbs true stereo imaging.
EMI exists within the range of video signal frequencies so it is possible for 'stray' signals from EMI to find their way into the cable and therefore, create a false signal or internal noise within the cable. Our Ecosse digital/video cables are sufficiently shielded to minimize EMI from entering into the cable including the use of braided grounding shields and non-magnetic foils.
The signal on the digital output of a CD-player looks like almost perfect sine wave, lose/alter that wave and you interfere with the delicate signal. It can carry a stereo pair of channels with a sampling rate of up to 96 Ksps and with a sample precision of up to 24 bits. The S/PDIF output from CD players fits inside this envelope, being only 16 bits per sample at 44.1 Ksps. RCA/phono sockets are normally used but for maintenance of the square-wave we recommend true-75-ohm rated BNC plugs (if permissible).
At audiophile-reference level you may encounter the AES/EBU interface, which uses symmetrical connections with transformer isolation and an output impedance of 110 ohm. The signal-level of this interface is reasonably higher than in S/PDIF. Because AES/EBU digital audio signals are transmitted at high, video-like frequencies (at around 6MHz) they require very precise construction and termination.
At Ecosse we offer £ for £ the finest AES/EBU digital cable on the market today-our all-Monocrystal™ Silver individually wound and hand-made 'In the Beginning' Interconnect!
Its a delicate totally lovingly hand-built cable, takes many hours to perfect and ONLY available direct from us and made to specific order. We recommend pairing this with only the very finest of Audiophile Systems. Its not cheap. For a price /info email us here.
The two formats are compatible with each other for audio, but differing connectors are required. Reference quality equipment will use balanced XLR connectors to carry S/PDIF over differential pair cable (as commonly used for low impedance recording studio microphones.) However, it is important not to use low-microphony cable for digital interconnections since it has very poor high frequency transmission capabilities.
A third physical media often used is plastic optic fibre. Optical Fibre has the advantage that, since it is non-conducting, earth-loops cannot be generated and the fibre link is immune to hum and noise pickup. That's the theory-in practice however optical fibre components can lead to increased jitter generation in the process of separating clock from data. This can cause a measurable degradation of the conversion back to analogue format.
The primary purpose of a component video cable is to carry the pulsed square wave high frequency AC video signals from source to TV/plasma/projector. Ecosse component cables ensure this transfer is carried out with the minimum of interference, signal loss, and signal degradation. With each cable upgrade 'noise' is progressively reduced resulting in an increasingly improved picture at your monitor end.
At the seriously high frequencies involved in video signal transfer, there are a number of factors that can create problems. As above: It is imperative that for video (and digital) signals the characteristic impedance of the cable matches the impedance of the component interface -which is 75ohms.
The characteristic impedance of a coaxial cable is determined by the size of the conductor and the quality-in terms of minimising energy loss-and diameter of the dielectric material. You can be certain that our component video devices are designed to ensure matched impedance.
Impedance mismatch can occur when a cable with internal impedance less than 75-ohm is connected to a true 75-ohm load, such as a quality A/V receiver or DVD player. In this situation, some of the frequencies that make up the signal will be reflected back to the source. Since the source is a 75-ohm unit, this reflected signal is sent directly back to it (A/V receiver or DVD player) creating a delay effect at certain frequencies. This delay, for example, can show up as a ghost in the picture. Multiple ghosts resulting from multiple frequency reflections can look like ringing around the original image. These reflections can also cause partial signal cancellations at various frequencies corresponding to a partial signal loss resulting in a loss of picture detail or color.
In a standard audio cable for example, the internal impedances are between just 50 and 60-ohms. Since they are designed to carry low frequencies (20Hz to 20 kHz), audio cables have different impedances from component video cables. If audio cables are used in place of component video cables this lower impedance can result in degrading signal reflection.
Problems can occur during soldering: these include, if great care is not taken during the delicate soldering process, melting of the dielectric, excessive solder, incomplete solder joints etc.
All Ecosse video (and digital) cables are specifically designed for their respective interfaces. Thus we will never use an analog audio cable to transfer these significantly higher frequency video (about 10MHz) signals.
All Ecosse cables employ the finest insulation materials of minimum dielectric loss, thus ensuring accuracy of musical timbre and ambience. Quality insulation will also reduce E.M.I, R.F.I. and 'proximity effect'. We use either polyethylene or Teflon (PTFE- polytetrafluoride epoxy) dielectric as these insulators exhibit superior mechanical properties (such as isolation to vibration) to maximise the signal and its transmission velocity.
In certain of our cables these two dielectrics are combined within the cable's topology. Air-Foaming reduces the dielectric constant and the dielectric loss by introducing air, thereby stabilising the frequency characteristics of the cable.
Ecosse interconnect conductors employ (foamed) Polyethylene Dielectric or Teflon (PTFE) Insulation as these insulators exhibit superior mechanical properties (such as isolation to vibration) to maximise the signal and its transmission velocity.
Our loudSpeaker cables are sheathed in a polypropylene insulator except where the more-expensive Monocrystal™ Silver loudSpeaker Cables are concerned. Here we add our patented PTFE (polytetrafluoride epoxy) ultra-low D.C. air-space dielectrics together with Cu-foil and a nylon or polyester braiding.
Our 'Legend' Monocrystal™ Interconnect similarly has a tertiary, unique, ...
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www.ecossecables.co.uk/cable-technology.html